Assume calibration cose: this breath isn’t mine is a haptic feedback performance that examines the intersection of sound, movement, and technology. Building on the work presented at Convergence 2024 in Antwerp, this project by The Algorithmic Gaze delves into how AI can mediate live performance by investigating the relationship between performers and technology.
To build this, we designed a custom haptic feedback system that translates the movements of a dancer into vibrations that are felt by a musician. The dancer wears a motion capture suit that tracks her movements, which are then transmitted to the musician through a glove that vibrates in response to the dancer’s motions. This haptic feedback loop creates a unique form of communication between the performers, allowing them to interact in real-time through a shared language of movement and sound.
The piece features two creatures whose movements and behaviours are shaped by the technological systems that guide them. Sensors in the motion capture suit worn by the dancer transmit her movements to the oboist, who responds through a custom-built vibrating glove that translates the dancer’s motions into musical responses. This haptic feedback loop creates an innovative language of communication establishing a dynamic exchange between the performers.
Through this exploration, Assume calibration pose sheds light on probing how technology can create new forms of intimacy and communication between performers, and how it can function as an active collaborator in artistic creation.
After its debut in Barcelona at “Dimecres de so i cos” series and its Antwerp presentation at Research Week, the project continues to evolve, seeking ways to enhance this form of interaction.
Credits
- Dancer: Myrthe Bokelmann
- Musician: Cèlia Tort Pujol
- Software Design: Frederik De Bleser
- Hardware Design: Lieven Menschaert
- Photos: Madina Mahomedova, Frederik De Bleser
- Video: Marc Cuscó, with editing by Cèlia Tort Pujol
Other Collaborations
Whirly Loops
Interactive sonic installation at SMAK
100 Days
AI-reconstructed memory drawings by Joud Toamah
Cyber Sensuality
AI dancer trained at LAbO 2021
Does AI Dream of Gender?
Interactive AI installation at WRO Biennale
Flesh to Foliage
Cyberfeminist AI dance performance
Hunger of the Pine
AI artwork for The Sustainist Gaze at Z33
Maureen
Real-time AI face and character by Alexandra Fraser
Memories of Care
Biometric AI self-portrait by Martina Menegon
Polaroid Memories
GAN-trained film from found Polaroids
The Next Generation
Synthesised faces for the academic opening
Workshops
Figment machine-learning workshops for art students